It starts with the tassel which, for Sara, is a true honor bestowed upon women. Tassels are omnipresent. Printed or embroidered with two or three different techniques on the men’s shirt but also transformed into extraordinary threedimensional decorations woven into the jacquard mohair pullover.
The journey through the Genny archive, where prototypes and models designed for the brand from 1962 to the present day are found, liberates Sara Cavazza Facchini’s creativity, who invents a new vocabulary of feminine signs for fall/winter ‘25-’26.
The colors of light and shadow are often combined in the various outfits, as in the Taoist theory of Yin and Yang, while also emphasizing an interesting search for new forms, including the cape with a deep, crater-like back neckline or the peplum featuring both geometric and round rods on the evening blouses.
A warm camel tone on the enveloping coat with double lapels, and a hint of pink in the classic masculine patterns such as herringbone or Scottish tartan have all a very British taste in tailored garments.
Among the dominant shades is the midnight blue of the double-breasted coat and suits taken from his wardrobe, with a very couture taste in the evening garments.
The tassel pattern releases the full romantic beauty of a modern woman who knows how to love others as much as herself. A tribute to the merit of a new femininity.
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